Thursday, October 29, 2015

Masks as a performance instrument

Greek Theatre 

Greek Theatre mask
The use of masks in Greek theatre was mainly used to worship Dionysus at Athens during various rituals and celebrations. There is not much evidence left how they actually used it, everything what remains are only a few paintings on a vase which shows actors getting ready for satyr play. This is because the masks were made of organic material, for temporary use, which has disintegrated very quick.
Mainly the masks were designed in honour of Dionysus and left near his altar after performances. However, the masks have been used since the times of Aeschylus who lived in 5th century BC and is considered as one of the symbols of traditional Greek theatre.

People who made the masks used to be called skeuopoios. Normally, the masks were size of a helmet which took over the face and head leaving just few holes for eyes and mouth.
 Also there was a small hole to put on a wig if needed. The masks were light weight and usually made of stiffened linen, leather, wood or cork with a wig of human or animal hair.

The main function of masks in Greek theatre was to bring the face closer to the audience due to the large size of Greek theatres. The face emotions on the masks were over exaggerated so the audience could easier what`s going on, especially those people who were seating at the back of a theatre.

Noh Theatre

Believed, before the masks became popular to use in theatre there were only about 60 styles of them. However nowadays there are over 200. The origins of the Noh masks started during the Muromachi period (1392-1573). Before the Muromachi period the masks had stronger religious meaning. Nevertheless, the religious side of it began to fade when the Muromachi period came. People started to think about using the masks in yugen (mysterious beauty), they thought it would be better to hide the ugly part of their faces and to show more beauty of Noh masks.


It is important to note that you cannot actually tell what are the feeling of Noh mask. It looks like it could have different emotions depending on the text that is said. The best would be to say it has a neutral emotion. The technique that is usually used by actors to highligh the emotion is to slightly tilt the mask up or down. There two main expression Teru and Kumoru. When the actor tilts the mask upwards the emotion is called Terasu because it looks like the mask is smiling or even laughing, to sum up it`s all happy, meanwhile if it`s more downwards the emotion is called Kumorasu. With Kumorasu the expression on the mask appears to be sad.

The material meaning of Noh masks is completely different to Greek theatre masks. Noh masks is made of a strong material and can stay nice for ages. It is quite small and does not cover the whole actors face, most of the time some part of jaw or chin pops out. The eye`s holes are very small therefore the performer has a limited vision view.

There are quite few types of Noh masks:

  • Okina (Old man masks) 
  • Jo (elders masks) 
  • Onna-men (woman mask) 
  • Otoko-men (man mask) 
  • Kishin (demons)
  • Onryo (ghosts and spirits) 


Carnival 

As my chosen area of performance masks I decided to do Carnival masks because it is the most beautiful and memorable masks of all. Once I went to a masquerade ball wearing dark blue, sparkly mask it was unforgettable experience. I have always had a passion for carnival masks. If I entered into a shop and there were carnival masks it would have always brought my attention to it.

The origins of carnival masks started in Venice, Italy. Moreover, known as the world`s biggest carnival The Carnival of Venice, where all people dress up like in 18th century and cover their faces with masks. The word carnival itself has a very interesting meaning. Translated from Latin carne + valle means `farewell to meat` which was originated from Roman Catholic festival of Lent. That means, the season of sorrowful absence of fruit, eggs, meat and dairy products. The first mentioning of masks is found in about 13th century of masked-men throwing eggs at ladies. However, the wear of masks are actually started in 18th century. Nowadays, carnival happens to be organized in February.

The use of carnival vary from hiding the face/identity/social status to celebrating the carnival of Venice. It let the wearer act more easily in social situations without giving away their identity where he or she wanted. For instance, hiding the identity could be closely related with criminals, personal stuff or romantic secrets that not everyone should know about.

The Venetian masks revolutioned from Commedia dell`arte as those were are perfect and beautiful way to hide the identity during the carnival. The carnival masks themselves are very beautiful and eye-catching. It is decorated with dominant colours such as silver or gold and has got baroque style in it. They are made of an application of gesso, a white paint mixture, and gold leaf. Most of the times they are hand-made and hand-painted. In addition, masks makers add some feathers or sparkles to make the mask stand out.

Bauta 
There are two main types of masks but over the time people invented more types of carnival masks:


  • Bauta. This is one of the first Venetian masks. Features of this mask is very simple it is always white. Agreed, that it should be worn with the black hat. I believe this mask is used in well known West End shows Phantom of the Opera. Also back then, women would be not allowed to go to a theatre without wearing bauta.


  • Moretta
  • Moretta (meaning servant mute lady). Believed, the origins of this mask started in France but it was quickly adopted by Venetians, especially women as it highlighted their ladylike traits. However, it was mainly worn by women attending convents to keep themselves quite as there was a special space to clench their teeth.








  • Volto. Also known as a larva mask. Translated from Latin means `ghost`. It is a plain, white mask. It is very similar to Bauta but it does not have very sharp features such as square jaw line or no mouth. It is easy to wear and allowed the wearer to drink and eat easily.
    Volto
  • Culmbina. Also known as a traditional Venetian mask. This mask covers only half a face and the story how it was discovered is very fascinating. As mentioned above Venetian masks were taken from Commedia Dell`arte so one famous actress decided that her face was to beautiful
    to be fully covered with a mask so she asked to make a mash that covers only half a face. People fell in love with it instantly and it became popular within days. Most of times it is decorated with silver, gold, feathers and crystals, To make it more attractive people have to options to wear it either tied back with laces or held up to the face by a baton. 
Columbina














Plague Doctor 
  • Medico Della Paste (Plague Doctor). This mask has a very strong meaning as ,originally, it was discovered in France in 17th century by physician Charles De Lorme and was special made for plague doctors to protect them from breathing in dangerous diseases. It`s got a quite shocking shape which reminds of long beaked bird. 























Wednesday, October 14, 2015

Rehearsals for Mother Courage and Her Children

This play is very dramatic and sad. Brecht lived during the war and served for military hospital where he saw more than enough of war cruelty. He started with writing anti-war poems at schools which led him to dropping out school. But it didn`t stop him from writing poems and plays based on his experience of war. 

In the middle standing Mother Courage, next to her sitting her
daughter Kattrin and two sons.
My role Kattrin is a daughter of  the main character Mother Courage which is a strong woman. Mother Courage faced the savage of war and stands for herself and her family (dumb daughter and two sons). She doesn`t want her sons go to the army as she thinks that everyone who serves in the army has bigger chance of death that those who don`t. She protects her daughter from filthy man as for them her daughter looks very innocent and quiet but the truth is she can`t speak. In addition, two world famous actresses, Meryl Streep and Fiona Shaw that starred at National Theatre by the way, has starred as Mother Courage in Mother Courage and Her Children. 

Kattrin was born with disability, she wasn`t able to speak and is slightly dumb. All she does just mumbles strange noises and acts little bit weird. She doesn`t have any lines, however she stays on stage at nearly every scene. But it is important to remember that the life on stage goes on even though I do not have any lines. A feedback from Rob was that I still need to be engaged with my character and listen to others. react to everything that`s happening around me. Also Rob suggested me and Shadey think of what happened before, why Kattrin is not able to speak, why she is dumb. Is it the result of war? 

As a general feedback to us all was remember our favourite comedian and think of his/hers acting styles. My favourite comedian is Jim Carey. I noticed that he exaggerated everything and that`s what it makes so funny. He uses his face expressions to inflate the emotion. however, I am not sure I can adapt his techniques to Kattrin as her personality is very quite and shy. Not forgetting that she is a girl surviving brutality of war. She is afraid of everything that is happening around. But on the other hand her confidence and life experience is grown up during the years of travelling with her family. 



Here is a video of National Theatre cast and Fiona Shaw getting ready for the Mother Courage and Her Children. Starting with the warm up, ending with last minutes before going on stage. 




Ideas for Performing with Masks

Today everyone was writing an evaluation about yesterday`s performance with masks. I didn`t have a chance to perform yesterday as I wasn`t ready for it because of my absence in college due to championship and illness(sinusitis). However, today, me, Ria and Matthew discussed what we could do for our performance with masks, as they neither didn`t perform yesterday. 

We wrote down a long list what we should include in our performance. 
  • Sound effects
  • Lifts/weight taking
  • Very physical 
  • Put on/off mask facing the wall, not the audience!!! 
  • Do not touch the mask
  • Slow motion 
  • Props (fan, maybe torch, necklace, chairs)
  • Different levels 
  • The use of projector for images
I came up with an idea of us creating a time machine and travelling through times. So we are all students sitting in the classroom. Ria`s character comes in late and sits down all messy. She`s very bored so she stands up and goes behind us. She starts to create a time machine. Her movements are over exaggerated so the audience can have an idea she creates something really dangerous. At the same time she puts 3 chairs in a row and the huge clock in the middle. We all sit down, put hands on the clock and start shaking. Once we stop there is a note on the wall (going from projector) `Welcome to roaring 1920s`. We decided that we can use the music from that time and do some dancing or partying as 20s was the times of cakes and ale. We go back to time machine and we are in 40s. We got in full swing of second World War. After firefight we go back to time machine and travel to 80s where bright colours and rock`n`roll took over the world. After some fun time in 80s we are on our way to the future where robots controlling the world. We haven`t decided how we going to finish it but thought of going back to nowadays and just freeze. 

Ria came up with idea of using a giant clock as the symbol of time machine. She also suggested using props that symbolizes different times. For example, tutu skirts symbolizes 80s, fans were used in roaring 20s. 

Matthew suggested that we could use the music as background of each  years.